Program of the Day // 27.7.19
Kalamata Dance Megaron - Studio | 19:30 | 45΄
BSTRD (an abbreviation for ‘bastard’) is a solo performance, based on the notions of impurity and hybridisation: what if the idea of purity is an illusion, and everything is made of a much more complex material, so that the question focuses not on the origin (or originality), but on the final function or/and impact on the rest? Inspired primarily by House culture’s practice of amalgamation, Katerina Andreou dances her own manifesto, in an almost vain attempt to avoid any easy dichotomy between ‘what is’ and ‘what is not’. But how does one remain free, anonymous, without necessarily ending up alone?
Andreou is interested in developing a physicality that can carefully serve the concept of pure impurity. BSTRD uses the deep bass of a vinyl record as scenography and tool for the political and poetic discourse of a bastardised figure, free of all enclosure and codification, but respectful to its reality, balancing between the desire to avoid convention and the desire to belong, between anonymity and identification, adulteration and authenticity.
Choreography-Performance: Katerina Andreou
Sound Design: Katerina Andreou in collaboration with Eric Yvelin
Light Design: Yannick Fouassier
Outside Eye: Myrto Katsiki & Lynda Rahal
Sound Engineering: Tal Agam or Eric Yvelin
Production: Mi-Maï / Bark
Production-Bookings: Élodie Perrin
Co-production: Atelier de Paris/CDCN, Onassis Stegi, Centre Chorégraphique National d’Orléans, Centre Chorégraphique National de Caen en Normandie, La place de la danse CDC de Toulouse, Ballet de Marseille.
Partners: Ménagerie de verre Studiolab, Kunstencentrum BUDA, Réservoir Danse Rennes, ImpulsTanz Festival (residency Jardin D’Europe Award )/CND Pantin (résidence augmentée)/La CABINE (PAD), Réservoir Danse Rennes, MonitorFest Heraklion.
With the support of ARCADI and DRAC Ile de France
Born in Athens (1982) and based in France, Katerina Andreou is a dancer, musician, and choreographer. A graduate of the University of Athens Law School and the National School of Dance (Athens), she obtained a Masters degree in dance studies and choreography from Université Paris 8 after completing the ESSAIS programme of the CNDC d’Angers (2011), under the direction of Emmanuelle Huyhn, with a scholarship from the K. Pratsika Foundation. In 2015, she was a Danceweb scholar at the Impulstanz Festival in Vienna. As a dancer, she has collaborated with DD Dorvillier, Lenio Kaklea, Bryan Campbell, Dinis Machado, Emmanuelle Huynh, and Ana Rita Teodoro among others.
In her work, Andreou is interested in developing states of presence, constantly negotiating between contrasted tasks, fictions, and universes, often questioning ideas such as authority and autonomy, communication and censorship. She often designs the music for her own pieces.
Andreou was awarded the Prix Jardin d’Europe choreography prize at the ImpulsTanz Festival in 2016 for her solo dance piece A kind of fierce,which was co-produced by the Athens Festival. For her solo BSTRD, which premiered at the Onasis Stegi in 2018, she is part of Aerowaves Twenty19. She is also a Panorama Artist of the Departures and Arrivals (DNA) network.
AKRAM KHAN COMPANYE
UNTIL THE LIONS
27 & 28.07.2018
Kalamata Dance Megaron - Main Stage | 22:00 | 60΄
What defines gender? What makes us male or female? Is it the body? Could it be deeper, unnamed impulses that drive desire or expression? Or is it an identity bracelet society hands out? How permanent and unchanging do these labels remain? And what part does Time, master sorcerer, play in our perceptions?
Keenly aware of the complex demands of the body across time, of the transition from power to endurance, Akram Khan turns his gaze on these questions through the prism of one of his best-loved epics, the Mahabharata.
Until the Lions* revisits the great epic, but through the eyes of a compelling female character, Amba, who questions the definitions of manhood and womanhood, and challenges Time. Princess Amba is abducted on her wedding day by Bheeshma and offered as bride to his brother. Though she regains her liberty, Amba’s life is destroyed: she is rejected by her family, her betrothed, later by her abductor, and all of society. Amba then invokes the gods.
Until the Lions looks at what happens when society’s rules for each gender destroy rather than protect. What does a woman do when she loses ownership of her body? To what lengths can she go to regain control over her life, to gain justice? When the quest for justice swerves towards revenge, what price would the body have to pay? And what price would humanity have to pay?
*A partial adaptation of the book Until the Lions: Echoes from the Mahabharata by Karthika Naïr.
Artistic Director-Choreographer: Akram Khan
Narrative Concept-Scenario-Text: Karthika Naïr
Visual Design: Tim Yip
Lighting Design: Michael Hulls
Original Music Score: Vincenzo Lamagna in collaboration with Sohini Alam, David Azurza, Yaron Engler, Akram Khan, Joy Alpuerto Ritter
Dramaturg: Ruth Little
Assistant Director: Sasha Milavic Davies
Assistant Choreographer: Jose Agudo
Voice-over: Kathryn Hunter
Dancers: Ching-Ying Chien, Joy Alpuerto Ritter, Rianto
Musicians: Sohini Alam, Joseph Ashwin, David Azurza, Yaron Engler
Producer: Farooq Chaudhry
Technical Director: Richard Fagan
Technical Coordinator: Peter Swikker
Stage Manager: Lara Davidson
Lighting Technician: Zak Macro
Sound Technician: Phil Wood
Technician: Sam Holland
Assistant to the Costume Designer-Costume Maker: Peggy Housset
Model head designed and made by Blind Summit
Project/Tour Manager: Mashitah Omar
Production Manager: Florian Stagliano
Tour Assistant: Mai Saroh Tassinari
This production is a partial adaptation of Until the Lions: Echoes from the Mahabharata, a retelling in verse of the Mahabharata by Karthika Naïr (Harper Collins India, 2015 & Arc Publications UK, 2016).
Production initiated by The 360° Project. International Network of Round Arts Venues.
Produced during residency at Sadler’s Wells London and Curve Leicester.
Co-production: Roundhouse/Sadler’s Wells London, MC2: Grenoble, La Comète Châlons-en-Champagne, Théâtre de la Ville/La Villette Paris, Danse Danse/TOHU Montréal, Les Théâtres de la Ville de Luxembourg, New Vision Arts Festival Hong Kong, Taipei Performing Arts Center, Movimentos Festwochen der Autostadt in Wolfsburg, Brighton Festival 2016, Maison de la Culture d’Amiens, Concertgebouw Brugge, Manège, scène nationale – Reims, Holland Festival Amsterdam, Romaeuropa Festival, Curve Leicester
Sponsored by COLAS
With generous support from Quercus Trust
Supported by Arts Council England
Akram Khan is an Associate Artist of Sadler’s Wells London and Curve Leicester.
Akram Khan is one of the most celebrated dance artists today, building his reputation on the success of imaginative and relevant productions, such as Kaash, iTMOi (in the mind of igor), DESH, Vertical Road, Gnosis, and zero degrees. His work is recognized as being profoundly moving, and his intelligently crafted storytelling as effortlessly intimate and epic. Khan was described by the Financial Times as an artist “who speaks tremendously of tremendous things”.
As an instinctive and natural collaborator, Khan has been a magnet to world-class artists from other cultures and disciplines such as the National Ballet of China, actress Juliette Binoche, ballerina Sylvie Guillem, choreographers/dancers Sidi Larbi Cherkaoui and Israel Galván, singer Kylie Minogue, visual artists Anish Kapoor, Antony Gormley and Tim Yip, writer Hanif Kureishi and composers Steve Reich, Nitin Sawhney, Jocelyn Pook and Ben Frost. During his close collaboration with the English National Ballet and its Artistic Director Tamara Rojo, Khan created the short piece Dust and his own critically acclaimed version of the iconic romantic ballet Giselle. A highlight of Khan’s career was the creation of a section of the London 2012 Olympic Games Opening Ceremony, which was received with unanimous acclaim.
Khan has been the recipient of numerous awards throughout his career including the Laurence Olivier Award, the Bessie Award (New York Dance and Performance Award), the prestigious ISPA (International Society for the Performing Arts) Distinguished Artist Award, the Fred and Adele Astaire Award, the Herald Archangel Award at the Edinburgh International Festival, the South Bank Sky Arts Award, and six Critics’ Circle National Dance Awards. Khan was awarded an MBE for services to dance in 2005.
Khan is an Associate Artist of Sadler’s Wells, London and Curve, Leicester.
LES VIKINGS CIE
Kalamata Central Square | 21:00
Les Vikings Cie perform in Greece for the first time with L’Aveuglement, a play inspired by José Saramago’s novel Blindness.
A lonely man is walking. He was blinded for no reason a few days earlier. A blindness that disrupts and isolates him, dictates his acts, and manipulates him. He realizes that he has to live with it, understand it, and even like it. This is the beginning of a long journey during which he will learn how to transform a disability into a ‘dance of life’.
Concept-Dancers: Sara Olmo & Victor Launay
Music: Putos a Roubar maças (Dead Combo) & Green Grass (Tom Waits)
Les Vikings Cie was created by Sara Olmo and Victor Launay, with the duo Étreinte, in Brussels in 2014. In 2014, the company won two second prizes at the Les Synodales (Sens) and Certamen International de Coreografía Burgos – New York choreography competitions. The following year, L’Aveuglement was presented and awarded first prize at Certamen International de Coreografía Burgos – New York and the special prize of the city of Biarritz at Les Synodales. The company’s members also collaborate as choreographers and teachers with many establishments around Europe.
21 → 27.7.2019
Kalamata Municipal Stadium
Francisco Córdova, Mexican performer, choreographer and pedagogue, has an educational background in contemporary dance, theatre, direction and stage lighting. He will be giving a workshop on Body Action, a training method he has developed, based on the construction of physical actions. Participants are invited to learn to move through a common language and not through the usual dance codes. The method decodes therefore and deconstructs the established and predetermined languages of the dance. The class is a representation of the function of control and physical intuition and its purpose is to create physical, mental and emotional states through the intense physical work. For doing so, it takes the body to its maximum capabilities through the opening to physically controlled risk. The participants are guided to learn to assume information regarding their intuition, to find truth in their body and to contact their own way of moving.
Francisco Córdova, is director of the Physical Momentum company, director of ATLAS México Festival and director of the training program of Techniques of Movement (TDM) in Mexico and Barcelona. From 2006 he has been developing his methodology Body Action leading numerous workshops in companies, festivals and international arts centers in Europe, Asia and Latin America (DELTEBRE / SEAD / FONTYS / KIBBUTZ, etc.) He has earned various awards, residencies and artistic grants in Latin America, Asia and Europe and he is mentioned as one of the young precursors of new trends of the training of stage performance. Member of several companies and staging projects for 14 years, he has developed as performer, choreographer and teacher participating in meetings and festivals in more than 25 countries around the world.
From lightness to gravity
24 → 28.7.2019
Kalamata Municipal Stadium
Lali Ayguadé is a Catalan performer and choreographer. The core of her workshop is the study of transformation through physicality. The workshop comprises two main parts: a technical one, with warm-up and sequences to prepare the dancers for the class challenges, and a second part, with a focus on improvisation based on specific tasks. The objective of the workshop is that the participants learn to use the floor emphasizing their work on the feet, strengthening in this way their base and support for movement. Participants will also train to control their weight center and they will explore ways to find freedom in their movement through phrases and improvisations. Rhythm and voice will also be studied in terms of investigating a theatrical physicality.
Lali Ayguadé, was a full time member of Akram Khan Company for several productions and she has also collaborated, among other renowned creators, with Hofesh Shechter, Roberto Olivan, Marcos Morau and Baró d’Evel. Since 2013, she is the director of her company, with which she has presented “Kokoro” and “iU an Mi”, pieces standing between reality and imagination, merging theatricality with dance. She has also created “Incognito”, which inspired part of the “Timecode” short film, winner of Palma d'Or in Cannes in 2016, Goya and Gaudí awards in 2017 among others. Moreover, she has directed pieces for other companies such as Tanz Bielefeld and Bhodi Project.
The workshop From lightness to gravity by Lali Ayguadé takes place at 25th Kalamata International Dance Festival with the support of Acción Cultural Española (AC/E) through the Programme for the Internationalisation of Spanish Culture (PICE), in the framework of the Mobility grants.
DANCING OUR WAY
Live and Alive on Stage
23 → 28.7.2019 & performance 28.7.2019 | 18:30
"Thodoros Angelopoulos" Amphitheatre
Project Director: Sofia F. Droumpali
Lecturers: Dr. Marο Galani, Anastasia Nikolitsa, Sofia F. Droumpali
Following last year’s successful Dancing My Way project, this year’s Dancing Our Way project invites and challenges dancers, educators, and therapists to attend and experience the unique ability of movement and dance to promote inclusivity and create community and relationships between disabled and non-disabled people. The project will include one day of open experiential/educational seminars and four days of closed workshops culminating in an interactive live event on stage. The project is conducted by PHARIS (Kalamata Dance Festival – Kalamata Municipal Dance School) in collaboration with the Centre for Physical Medicine and Rehabilitation of Kalamata.
Dr. Maro Galani
Awakening of body memory and pleasure of physical existence in the dance therapeutic context for people with disabilities and their family, caretakers, special needs educators, and dancers.
The caregiver’s body: perception, understanding, and coping with what is not said
Contact between the caregiver and person with disability inevitably stirs and brings out vulnerable parts in both parties. We will understand and discover new ways of coping, to prevent burnout.
Live and Alive on Stage
A live improvisation and interactive event on stage, in which the audience will be part of the communication and emotional interconnection between disabled and non-disabled people through movement and dance. A photographic exhibition, creative responses, and live reflections from the audience will guide the experience.
Maro Galani, PhD
Maro Galani is a choreographer, dance therapist, and adjunct lecturer at the University of Patras, where she teaches Rhythmic, Dance and Theatrical Game. Her PhD dissertation, titled Rhythmical and Theatrical Game for Children with Special Needs, was carried out at the National Academy of Sports and National Academy of Theater and Film Arts in Sofia, Bulgaria. She holds a MSc in Creative Writing from the University of Western Macedonia and a post-graduate certificate in Primitive Expression. She has served as a dance expert for the Hellenic Ministry of Education.
Anastasia Nikolitsa studied dance, dance movement psychotherapy (Laban Centre, City University of London), character-analysis, vegetotherapy (Hellenic Institute of Vegetotherapy and Character Analysis, Athens), and traumatherapy CRM (Institute of Traumatherapy, Athens). She has taught in universities (London) and vocational schools (Athens). Since 2003, she has been working in Athens with adults with psychosomatic symptoms, autoimmune diseases, personality disorders, PTSD, and Complex Trauma. Her books The power of the unprotected child and Dance Movement Psychotherapy: history, theory, methodology, tools were published in 2018.
Sofia F. Droumpali
Sofia Droumpali studied contemporary dance and ballet (pre-professional) at PHARIS in her hometown Kalamata and trained as a professional dancer (Rallou Manou/Hellenic Ministry of Culture and Sports), teacher (University of Patras), and dance movement psychotherapist (MA, Goldsmiths University of London). She currently practices Dance Movement Psychotherapy with young people and children with autism, complex needs, and trauma in London. Since 2017, Sofia has directed dance projects about inclusion for people with disabilities in collaboration with PHARIS (Kalamata, Greece).